Oh, it’s that time again. Insomniac rambling about daily life and such. Meaningless reports: nostalgia for the always incomplete end of bureaucratic culture. There’s still something vaguely sexy about the forgotten colonial outpost, and the dedicated functionary who sends in the dispatches, despite the fact that nobody’s reading them, and that the surveillance has lost all utility. Hmmm. The horror of banality. So here we go.
1. The kids are asleep. I’ve been saying that a lot, even when they aren’t, or not really. It has a nice ring to it. The kids are asleep. Variations: The kids are sleeping. Kids? Asleep. …and a couple of kids of course. Them’s some sleeping kids. You might have fooled the Philadelphia, and joshed the Joliet, but you never did the Kenosha kid(s are sleeping). Are the kids asleep? Yup, they are. It’s fun to say. Try it. The kids are asleep. On account of there’s two of them. Kids. Asleep.
2. Kids These Days – Two flicks I liked recently, with the usual proviso that “recently” for us means months or even a year old for normal people who can go to movies in actual theaters. First, Paranoid Park, Gus Van Sant’s continuing exploration and twisting of the American high school film. A clear follow-up to Elephant, even if not in the trilogy, complete with the continuous following shots of teenage boys walking. I noted this feature of Elephant in a discussion with Chuck from Austin once, and he made a good point: the frustration and boredom the viewer feels at the seemingly aimless, though clearly purposive walks mimics the boredom and aimless directionality of the American teenage experience itself. Elephant opens with what feels like a 10 minute sequence of the following shot; it feels like ten minutes, in the same way the last two minutes of sophomore level math felt like ten minutes, so you’re back there while watching the film, in the pointlessness of the educational system that you already know, by tenth grade, is cracked and broken. That it gets shot up or otherwise cut in half then seems like an afterthought, or at least something happening. If anything, Paranoid Park is even less moralistic and sentimental than Elephant (or Milk for that matter), and certainly seems less interested in pointing up some lesson about youth culture. Yes, it’s fucked like everything else. The film is also, maybe in the same way as The Lookout, about writing. I could see how various expressivist teachers would love this sort of thing, even if it leaves off ambiguously, to the extent that the main character has to write himself a meaning for a meaningless act. Maybe that’s high school, too. Second film, the Swedish vampire flick Let the Right One In. For some reason, the version I got was dubbed rather than subtitled (truly the sign of a shitty distribution agreement), so some of the acting seemed off, but it maintained itself despite this thoughtless crime. Plot: Oskar, a weird little Swedish boy is bullied at school until he meets his new neighbor, a little girl vampire named Eli. The film is then their story. I’m not usually into horror or vampire films, but this one did good. It’s more a sweet little tale with the occasional and very subtle special effects. In one scene, for instance, the little girl scampers up the side of a hospital building seeking her guardian, a man who keeps her in blood through various murders until he screws up for the last time. Her insect-like climbing is a background effect, made more effective for being almost out of sight. Even the one real attack scene has a novel element, as the little girl clutches her victim like a child would, which suddenly seems eerily animalistic. It’s well done. These are both small films, mostly about people, with the sudden and nearly antiseptic introduction of gore. Better, then, for being small. Of course, we get the sense that Eli’s previous guardian, who came to such a grotesque end in what seems to be his mid-fifties, was the last Oskar, perhaps engaged when he was himself a sweet and bullied little boy, and so the sweetness of the movie leaves off with this disastrous implication. Better, then, for cutting the saccharine with the ultimately dark suggestion. We also saw Frost/Nixon, which is engaging, if a little Karate-Kiddish. The Karate Kids are asleep.
3. Trips and Events – Our big summer trip will be to….State College, Pennsylvania. Oy. Some people go to Paris, etc. I’m going for some workshop that I applied for, while she and the kids are coming along because we know people there, etc. I wouldn’t call it a vacation destination, but it’s pleasant enough in the summer. So we’re probably going to drive out, and we’ll try to then make our way to upstate NY, maybe, but even that sounds dicey. That’s our vacation, essentially: one night in Ohio and a few in Happy Valley. I would have also gone to Montreal this summer for the ISHR conference, but I received notification that my paper was accepted in…April! Everybody else I know received acceptances in friggin’ November. And I’m fine taking the second cut after somebody else no doubt dropped, but I had just assumed that the non-notification was a rejection, not some limbo state waiting list sorta thing. So I’m not going. I have too much other stuff to finish up now to rev up that research bit again for these people who kept me dangling. It seems like an odd way to run things up there. Finally, if our last Big Night Out was kind of a catastrophe, our next promises, I hope, to be better. We’re going to pay ridiculous fees for some professional nanny-type to watch Ellie and Rafe, and we’re going to see Leonard Cohen at the Chicago Theater May 5. Just rah. Can’t wait.
So back to the colonial outpost, and the proverbial forgotten functionary. There’s always a strange local fever spreading mysteriously across the outpost in these things, and no less so now. Isn’t there a strange moment in every one of these plague panics (swine flu) when you think, just for a second, that you really should be scared, even though any disruption would be an inconvenience or worse? It’s like the first few pages of Camus when the rats start to come out of the sewers to die, or the first few pages of And The Band Played On, with the Kaposi’s sarcoma and pneumocystis carinii popping up all over the place – and you’re gonna be the one who is both alarmed, but much too jaded to act on it? Maybe my usual disdain for being affected by media outbreaks is being blocked by the fact that the kids – these two kids – are asleep…
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